FULL MOON

Inspirations
crabe-grenouille:

Derek Sullivan, #25, Well Hung Snow White Tan, Cadmium Light Red People, 2007

crabe-grenouille:

Derek Sullivan, #25, Well Hung Snow White Tan, Cadmium Light Red People, 2007

ethandesu:

Model 505 Double Monk in Burgundy Crust 611
Pret Customised for ZS - Good Luck Bruiser!

ethandesu:

Model 505 Double Monk in Burgundy Crust 611

Pret Customised for ZS - Good Luck Bruiser!

likeafieldmouse:

Trevor Paglen - They Watch the Moon (2010)

"This photograph depicts a classified ‘listening station’ deep in the forests of West Virginia.

The station is located at the center of the National Radio Quiet Zone, a region of approximately 34,000 square kilometers in West Virginia and parts of Maryland.

Within the Quiet Zone, radio transmissions are severely restricted: omnidirectional and high-powered transmissions (such as wireless internet devices and FM radio stations) are not permitted.

The listening station, which forms part of the global ECHELON system, was designed in part to take advantage of a phenomenon called moonbounce.

Moonbounce involves capturing communications and telemetry signals from around the world as they escape into space, hit the moon, and are reflected back towards Earth.

The photograph is a long exposure under the full moon light.”

iwanttobelikearollingstone:

iwanttobelikearollingstone:

This is my film that I’ve been working on for three months. In the process of the post-production, I felt the challenge to differentiate my film from the work I see being made amongst my peers. To truly take my film an experience rather than just something that’s simply aesthetically pleasing; I wanted to stand out, basically.

But what I found the most pleasure out of, during the making of this film, was the opportunity to tell the story of my friend Riccardo (actor in film). In class he would share his experiences while overseas in Iraq and Afghanistan, and while listening him explain what happened to him, I was always disturbed and fascinated by how frank he was with the things he witnessed. To this day, it blows my mind how someone like him—who still severely suffers from the trauma that fighting overseas caused him—can be such a loving individual. The balance that he consistently has to have, between being a normal civilian and someone who can be called back at any given moment, was something I wanted to portray on screen. In addition, I began to think about the the way in which African-American soldiers go about defending their country. The double-edged sword of knowing in the back of your head, while you’re out there performing your duty, that it may be all for nothing because you’ll, hopefully, be returning to a country that does not truly appreciate you as an individual. While knowing this, there are so many, that despite being well aware of the injustice they face, continue to put their lives on the line. 

At no point throughout this film are my own political stances displayed. Rather, I wanted to focus on the psyche of an individual who actually lives with this dilemma on his mind. Through image and sound, I chose to visualize the mood that someone in his position is constantly under. An attempt at the visceral. Through the stories he shared with me, all extremely personal, I wanted to replicate the purgatory someone in his position seems unable to ever escape.

Play it loud and thanks for watching.

ICYMI

likeafieldmouse:

J. S. Bach - Suite for Unaccompanied Cello No. 5 in C Minor, BWV 1011 (Mvt. iv: Sarabande) - Mstislav Rostropovich

(via whyallcaps)